Simulated Natures

Painted in 1991/92, these pieces involved pouring multiple, thin layers of paint on a horizontal canvas, allowing them to blend and disperse creating an interesting and suggestive surface tone/colour with no representational intent - disrupted with dragged or drizzled lines of paint.

Titles allude to natural features, events or sensations in response to the completed works.

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Subliminal Mappings

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